Buffers, Les élus

The eternity of forms

Battling intense mood swings and depressive episodes is not easy — and it’s harder when we forget the little things that made us dream and look forward to a better tomorrow. Even worse, we tend to discard and leave behind the small habits that keep us connected to the “now” — which is the more important between the past and the future.

One of my small creations

Recently, I bought a new journal — engraved with a drawing of the Little Prince (my best friend) hanging by small ropes to a flock of birds, taking flight off his tiny planet and into the unknown. A line underneath the drawing reads, “L’essential est invisible pour les yeax.” The essential is invisible to the eyes.

It’s true. Once I started writing in that journal — after months and months of leaving this habit– I realized that I had the answer all along: I shouldn’t look outside of myself to battle my demons. But perhaps I should look inside, to the things that I already have and thought  I lost, and instead of battling demons, perhaps I should befriend them, even love them. They’ve lived with me for so long, I’m probably their only home. I wouldn’t throw them away.

I’m loyal to strange things.

Writing, and sketching — creating form, ink on paper. Therein lies the magic that perhaps will free me one day. In my first entry, I wrote, “When writing, a person is in the moment, like right now. If you’re focused on getting ink on paper, nothing becomes more important than ink on paper. And within the ink and the words, there’s a certain magic, an incantation and a spell. Am I going crazy? Or is this me finally becoming sane? Finding beauty in the mundane. Or more correctly finding miracles in small things.

Words have a god. And whoever masters words becomes close to this God. If you become a word, the word, you become god. This is the essence of spirituality: becoming infinite inside something. Consigning your soul — this limitless presence– to a single point in space. Points are timeless, or rather not bound by time.”

Self portrait

So are words. And so will you, if you focus so much on the task of producing a word on paper that you disappear in it. Watch the pen move, the ink dispensed, sink into the pores of the paper, grow and stem out into a form that gives meaning, makes sense. Suddenly, the ink takes on new meanings. It becomes alive in the shape that it has created. Iqraa, read it back, breathe in, breathe out, in, out and everything changes. This is the present. Welcome to it.

Words can change the world.

How can this idea not be healing?

Similarly, I tried to re-explore sketching. A beautifully talented Tweep gave me a drawing book, as gift, a week earlier, and I haven’t stopped drawing ever since. And last night, I wasn’t too afraid — as I always were before– to share that bit of myself. So I posted some of these online, and I even changed my Twitter avatar to a self-portrait that I have drawn myself.

Will all this cure my dark episodes? It might. And if not, then it will remain there as testimony to how I tried.

“Nous écrivons des choses eternelles.”

Listening to: Nothing
Mood: Indescribable, hovering in a grey area between happiness and sadness.
Wants from the Universe: Love, love, love and more love. For people, and for things. Mostly, for myself. Because I need that.

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Buffers, Les élus

Do I come from a star?

I was reading through some of the posts on Evolver.net and http://www.realitysandwich.com, and this post reminded me of an old dream: discovering that I really don’t belong to this world, for some reason or another. Or at least that I don’t belong to the mundane version of it, which I’m living through right now.

Looking over my fantasies, whether that I discover that I’m a witch and get that long-awaited letter from Hogwarts, or to be hand-picked for a special league of chosen people (a select few who have access to the truth or who know better) like Neo and his buddies in the Matrix, or the fellowship of the ring in Middle Earth, or Alain Moore’s League of Extraordinary Gentlemen or the Watchmen, it was always about not being part of this life and not subscribing to this version of reality. Or not doing what other people are doing.

Perhaps it’s about wanting to discover a special talent, or a reason for living (an answer to the ages-old classic “why are we here?”).

But mostly, it’s also about being re-assured that my inability to adapt is shared by others, that there’s a reason for it; that I’m not anti-social, or a self-hating human, but that in fact I’m one of those few who were born different and shall live and die different, and who know something that others don’t. And of course, it all goes down to the chronic feeling of loneliness, which is bound to kill me some of those days if I don’t kill it. And to the conviction I’m always misunderstood, even by those closest to me.

The websites I was checking were all about changing the world, that “we are those we’ve been waiting for”, about sustainability, open-source economy, taking the human species to the next level, evolving our consciousness and connecting with nature. One of them is a social networking website that connects people who are part of this unified consciousness project. I didn’t understand many of the terms juggled between members, and I secretly smiled at groups carrying names like awakening the Divine Feminine.

Some of the members on it reminded me of a theatre professor that my sister loves to death. I remembered him because of his unique personal philosophy and unconventional religious beliefs. That professor, probably an atheist, believes that he’s among this unique breed of human beings who have migrated to Earth from another planet long ago for some mysterious reason, who are scattered across the Earth and who carry some sort of outer-planetary wisdom, and an invisible mark that they only can recognize. He’s not kidding. This breed is different, and they have the ability to know each other instantly, and the joy of meeting each other is incomparable, since their minds and their consciousness are enlightened, more evolved that regular Earthlings. He’s an artist, a dramatist, so this could all be symbolic, or not. If he believes he’s an alien, fine, as long as he doesn’t look down upon commons such as I (but he probably does anyway, and you know what? it doesn’t matter). The professor also believes that “his people” will come, from beneath the stars, to take him back one day, and then he’ll be at peace (Death?). It’s very poetic, and a wild thought sometimes crosses my mind, “perhaps I’m one of those aliens too. Perhaps that’s why I’m lonely. I haven’t found the others, my brethren, my people. Perhaps they will come back for me too.”

It’s a very condescending way of looking at the rest of the human race.

But tell me, have you never felt it too?

This feeling of exaltedness that comes with being lonely and being unable to fit in (on a global level), with being restless, with wanting to travel all the time in your head or physically through leaving the familiar places behind and treading where most people haven’t gone; this feeling of transcendence that comes with losing attachments, with thinking spiritually and philosophically about everything including your closest relationships, even your religion; with retreating and (as a friend recently put it), being an “observer of humanity” from a distance and only “occasionally socializing with humans.”

Do I come from a star?

I wish. It would explain a lot. It would re-assure me that there must be something out there to return to, to long for. Perhaps that’s why I love looking at the sky, perhaps when I do my mind wanders and my heart feels trapped not in wonder and not because I’m in awe by what the universe hides. Perhaps I’m simply home sick.

If you can relate, perhaps you come from a star too. Perhaps you’re one of us.

Listening to Gregorian’s take on My Immortal
Mood: indescribable

Books That Inspire, Les élus

Decoding suffering

If you suffer, and you will (because who doesn’t?), then do it successfully, according to both Marcel Proust and Alain de Botton. It’s not the easiest thing in the world. Drenched in sorrows, it’s easier of course to stay in bed, jump off a bridge than write a philosophy book. If you plan on ending your suffering once and for all (through say, setting yourself on fire, or drowning yourself in the bath tub), then fine, don’t try and get creative with how to ache. But if you’re not, you might as well use suffering to your benefit, either by creating a blog to tell about your experience, writing songs that breaks people’s hearts as yours have once been broken, becoming a motivational speaker, researching your pain and what it means, being inquisitive about life and the ‘big questions,’ whatever, the choices are endless. Proust chose to write books.

Proust was often sick, was unlucky in love and romantically pessimistic, un-comprehended by friends, over-protected by his mother, ignored by his father, had a failed career in theatre, but all this, if anything, has made him sensitive to the pains of others, and most importantly creative. He wrote: “A little insomnia is not without its value in making us appreciate sleep, in throwing a ray of light upon that darkness. An unfailing memory is not a very powerful incentive to study the phenomenon of memory.” According to de Botton, “Proust’s suggestion is that we become properly inquisitive only when distressed. We suffer therefore we think, and we do so because thinking helps us to place pain in context. It helps us to understand its origins, plot its dimensions, and reconcile ourselves to its presence. It follows that ideas that have arisen without pain lack an important source of motivation.”

Proust says, “Happiness is good for the body, but it is grief which develops the strengths of the mind.” He adds: “A woman whom we need and who makes us suffer elicits from us a whole gamut of feelings far more profound and more vital than does a man of genius who interests us.”

I know what he means. During a bout of depression, I wrote a short screenplay that I still think could be developed and could perhaps stand a chance on screen in one of those days. When I’m grieving, my head is usually full of ideas that wouldn’t have otherwise crossed my mind. I can guarantee that most stories, poetry and songs that touched us hide wells of pain.

But what a price!

And this comes to mind when I remember tales of genius marred by conflict, manic-depression, drug use, unhealthy obsessions, suicide, heart-break and chronic grief. Virginia Woolfe, Antoine de Saint-Exupery (without his explosive on-again-off-again relationship with Consuelo, world war, loneliness, perhaps the Little Prince would not have come out), Hemingway, Picasso, Mozart, Frida Kahlo and Diego Rivera, and if you will, Kurt Cobain and Eminem (sorry, but his songs get to me).

This leads me to a question that I have asked many times before: do we have to suffer in order to rise? Is it the old story of dying on the cross in order to transcend our ego and flesh, and become gods?

But that’s not what de Botton means of course. I’ve strayed a bit here. I believe his argument is, if you’re suffering anyway, you might as well learn, grow and create as you do. He says, “The moral? To recognize that our best chance of contentment lies in taking up the wisdom offered to us in coded form through coughs, allergies, social gaffes, and emotional betrayals.”

In addition, now in the words of Proust himself, “Griefs, at the moment when they change into ideas, lose some of their power to injure our heart.”

Listening to Abbady Al Johar here (not for the broken-hearted or the distraught, lyrics beautiful tho) there, there, and there. This too (lyrics here) and finally this very heartfelt song (and words).
Mood: sombre

Recommended:
Alain de Botton’s On Love/Essays In Love
Alain de Botton’s How Proust Can Change Your Life