Buffers, Les élus

Are some people addicted to suffering?

Psychologist and Philosopher Soren Kierkegaard

“Sovereign of my heart, Regina, kept safe and secret in the deepest corner of my breast.”

I’m big on psychology theorists these days, and while searching for e-books for Rollo Reese May (since I failed to find any hardcopies in our distinguished book-stores across Cairo), I came across works by Soren Kierkegaard, Danish philosopher, psychologist and theologian. I decided to “wiki” him since I have to admit I knew nothing of him and the book that I came across had an incredibly sexy title (It’s called ‘Fear and Trembling’).

His wiki page touched upon his relationship with the love of his life Regine Olsen. The woman, as also several other pages claim, greatly influenced his work. He was briefly engaged to her, their love was “deep” according to records, but then he lost her. How? Well, he broke off the engagement. It was his doing, and then he suffered for it during his short life (he died at 42).

Why did he do it? The reasons are not clear. Some say it was due to his devotion to God and church (almost forced upon him by his father), others say to immerse himself in his work, while some said he realized he was not a man for marriage but the real reasons died with them. Olsen refused to publish her diaries (although an unverified account resurfaced later and was sold as her diary), while Kierkegaard referred to his relation only in his work. He and Olsen also corresponded, but his letters remains and hers are destroyed. Some accounts said that Olsen had told her friends that before the break-up Kierkegaard felt an immense sadness, and she suspected that drowning himself in work was a tactic to distance himself away from her.

Such a mystery, isn’t it? From her side, Olsen was devastated when seemingly without good reason her man left her. He refused to take her back even when she threatened suicide. In her despair, she begged him not to leave her. And in order to drive her away, Kierkegaard feigned coldness, telling her that perhaps in 10 years, he will take another woman to “rejuvenate him.” The woman was left in shambles.

Ironically, she moved on, got married but he didn’t. In fact, he was “shocked” to hear of her marriage two years after he had left her. According to a source, shortly after the break up, of her he wrote: “Not even here in Berlin has my, alas, all-too-inventive brain been able to refrain from scheming something or other. She must either love me or hate me, she knows no third possibility. Nor is there anything more harmful to a young girl than half-way situations.” He remained alone until he died, and four weeks before his death, he still wrote of his agony. “I had my thorn in the flesh,” he said. “And therefore did not marry.”

Their story is fleshed out in the introduction of Kiekregaard’s book The Seducer’s Diary — which is believed to be an account of his relationship with Olsen, detailing how he seduced her and how he left, masquerading as a “fictional” tale. The introduction and the first 23 pages of the book can be found here (Google Books Preview).

Of her love, he had written in his journal, “Thou sovereign of my heart treasured in the deepest fastness of my chest, in the fullness of my thought, there […] unknown divinity! Oh, can I really believe the poet’s tales, that when one first sees the object of one’s love, one imagines one has seen her long ago, that all love like all knowledge is remembrance, that love too has its prophecies in the individual.”

The question that begs itself is: What was that about?

I’m sure the pain and the confusion had turned into energy that fuelled his creativity and inspired his writings and made his drive and will stronger. But why make this hard choice to leave abruptly as such and suffer the consequences? Was it reluctance to live with the idea of choosing one person, a lack of responsibility towards this choice or a refusal to surrender to the idea of marriage? Was it cold feet, fear of commitment, fear of happiness? Or was it the realization that he was not meant to be happy or settled or with the person he loved? The belief that he must suffer for some twisted reason that only God knew what it was? Self-punishment? Or perhaps worse, a knowledge that even the person that his heart desires can’t make him whole. A chronic feeling of (and an impulsion for) loneliness or aloneness? Perhaps it was simply boredom. Or a desire to break away, to always be free. Not to be tied down to anything, even the objects of one’s infatuation.

The story touched me. I could see people doing what he was doing (and to be honest, I could see myself doing that despite knowing that women are usually reluctant to make such radical decisions. I just read that women are more reluctant than men to break up relationships even if they’re equally, or even more, miserable than their partners).

The story is not shocking, it’s a bit surprising but most of all it’s sad. Heart-wrenching actually. Because we do make similar choices. I wondered if some people are, by nature, convinced that they cannot and shall not be happy that they consciously (or by a curse of obsessive thought) create the melo-drama, place a verdict upon their lives in their heads and act upon it.

Regine Olsen source: wikipedia

Could it be? The idea scares me. I can’t help but think: What if I’m trapped in my own thinking as such that I might be stirring up suffering? That perhaps there’s a pleasure in being confined to suffering, to being a victim of circumstances. (Or that perhaps it’s easier). We’ve studied back in college cases of people whose lives (and failures) were prophecized by their thinking. Of women who say they can’t find love but keep rejecting it or scaring potential partners away, unconsciously and sometimes consciously. Of men who believe others will eventually hate them (if they see through the protective walls that they erect around them) only to provoke that hate through their actions, thus driving people to hate them and in turn validating their earlier beliefs. Self-fulfilling prophecy. Manipulation of events and others. A very forced way of proving you’re right — even if it hurts you and those around you in the end.

I would be interested to read The Seducer’s Diary in full, and try to search for answers to the question of whether or not some people seek suffering (or can’t do or create or be something without it) through this real-life story of heart-break and great accomplishment. Then again, Kierkegaard was a prolific writer, an influential psychologist and was known to be the “the father of existential philosophy.”

Yet, like many of us, despite delving so deep into human nature and what makes us who we are, he couldn’t be happy. He followed his heart. Then his mind. He hurt others. He hurt himself. He was disillusioned. He was confused. He ached. And perhaps, if my theory is correct, that was (secretly) what he wanted.

Listening to: Ahlam and Mohammed Abdu on Rotana Khalijiah
Mood: pensive, uneasy and slightly irritable

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Buffers, Les élus

Closet Existentialism

On Thursday I had a wedding.

Don’t like them. They’re noisy, packed, impersonal, pretentious and showy. And watching the sweat-drenched attendees wriggle and dance themselves dizzy, all the questions of “Why are we here? Who made the world?” come rushing into my head.

It’s safe to say I haven’t attended a wedding that I liked in years.

But this was a good friend’s and I’d promised myself that I have to at least make an appearance to friends’ weddings or no one will show up in mine (if I ever have one!) So that was that, and I decided I’m in this time.

But it wasn’t that easy of a decision. For a whole week before the wedding, the question would cross my mind. It would bring back memories and horror stories, and I know I’d been avoiding it for a while. It haunted me, but every time it did, I would kick it back into the back of my head, thinking to myself, “I will sort it out tomorrow. Tonight, I’ll sleep peacefully. Tomorrow, I’ll think, I promise.”

The question? … What to wear?

Please, before you judge or jump to conclusions; I’m the last girl to care too much about clothes and appearances. Well, at least I was that last girl until a year or two ago, right before I secretly decided that I’d like (or at least I’d like to pretend I’d like) to be choosier in what I don every morning or evening before I set foot outside of the house.

But every time I open my closet to check out the mismatched pieces of fabric inside, I’m faced with the horrible truth: I have nothing to wear.

Weddings used to make me sad, because they were reminders of a rather lacking and modest wardrobe

And I know all girls say that, but me, I, moi? I promise you, I really, really don’t have anything to wear. Or let me be more plain and correct here (since we can all safely assume I don’t go out naked): I have nothing decent to wear.

Not wedding-material at least (and I’m talking about the clothes, not me). As I looked at my closet (packed with trousers, all black, desert scarves, weird tops, muhajabat clothes, two sleeping bags, two or three pairs of washed-out jeans and did I mention the black trousers?), I thought about all those chances I had in London all throughout last year and before during trips to Italy, Beirut or Dubai to pack my bags and in turn wardrobe with some nice dresses that would make me look classy in a party (or at least not bring shame to my family and illicit weird looks from my friends’ friends). And how I wasted every chance.

Why? Body issues. I think part of me always thought I don’t deserve nice dresses. I remember that during shopping, I always found it a joy to pick and choose for my younger sister. And if she wasn’t with me on a trip, I’d do the job like a good sibling, and choose for her. She always loved my taste, I was a bit adventurous (read eccentric) in my choices and I loved to mix chic and boho. Sometimes, I secretly wished I was thin myself so I’d have enough room to maneuver in choosing my own clothes, instead of opting for whatever that hides my curvature and all those flaws that my eye immediately catch whenever I but glimpse my reflection in a mirror.

I can safely say I’ve lost some good weight, and fingers crossed (and mouth shut) I intend to lose more. This time, I’m intent on reaching my ideal weight and the look that will make me confident (since I did reach a point where I felt tired of being embarrassed by that ‘vessel’ that carries me around everywhere). But with the weight loss, I lost both kilos and half of my wardrobe; some clothes just look funny on me now.

So what did I end up doing this time? I waited till the morning of the wedding, decided I wasn’t going to panic, and instead act professionally. Those memories of similar situations (the tears before weddings where I was convinced I looked fat and “bee2a”, all the times I blamed my parents for my lack of fashion sense, all those party photographs where I looked like The Laughing Cow, the painful hunt from a prom and later graduation party dress) were pushed back, supressed, buried deep down, and set fire to. Those times are gone, I told myself.

First, I raided my sister’s wardrobe. Well, she carried some extra weight herself a couple of years back, and surprisingly I did find two dresses that looked alright and fit. But just to have more choices (acting professionally makes you demanding and haughty considering a day earlier I was completely desperate), I made emergency phone calls to my friends. I actually went as far as texting one of my sister’s best friends who’s a sucker for party wear and has a wide variety. My message was brief: “I need a dress for a wedding. Something black.” Before she had a chance to respond, I followed with another text: “I lost weight btw.” It was essential. For her, so she would know I can actually now fit into her dresses. For me, as an extra reassurance that I’m on the road to change whatever I hated (had issues with/felt insecure about) in myself.

Me is not written in stone. Me is an evolving thing, something that I have yet to discover, not something that I carry around or is bound to forever. Last year, I was the girl with major self-destructive body issues. Last Thursday, I was still insecure but with less weight on my hips I ended up with at least six dresses to choose from, all fit me and all looked alright. I painted my toes flaming red, wore my high-heeled sandals (instead of opting for the ballerinas as I always would) and I walked tall -mainly because of the heels- and proud (a teeny tiny bit). But it’s not because of who I am now, but because of the potential I felt I had in me.

Of course, all those fluffy inner-power love-yourself-for-who-you-are-blah-blah feelings are not permanent, they come and go. And I do end up sometimes in a puddle on the floor crying my eyes off because of the “long way ahead of me.” (I’m 3kilos away from my ideal weight, height minus 100 and all that. But I’m like 10-15 kilos away from my ideal look). I knew that, but I decided to indulge in the good feelings as they lasted, savour those moments that make me want to invest in my body and my self more.

The next day it was my sister’s best friend’s engagement party – yup, the same girl I called for help. And I had to be there – axing my travel plans for the weekend. And I dressed up again, and I conjured up all those me-myself-and-I-powers again and I ventured out there, making mental photographs of all those dresses that made me drool …

… Yup, I have decided I deserve nice dresses too, for a change. And you know what? I even have a folder on my laptop now titled “Being a girl project.” Yes, the nerd is me is taking the “beauty project” very seriously, with folders, notes, research, pictures and one big fat plan to make me thin.

And let the blogosphere be my witness, I will be (insha’Allah).

Ah, and that wedding? It was awesome! College mates who haven’t seen me for two or three years or so noticed the weight loss, to my delight. Those who haven’t seen me since college noticed the lack of the headscarf :S But it was all much fun. So was the engagement.

Good times, I tell ya. Good times.

And I’m not even sure whether it’s the times that are changing. Or is it just me.

Listening to: Girl, All My Loving, Hey Jude, Hold My Hand, by the Beatles (duh!)
Mood: Thankful

Buffers, Les élus

Light games

At the third acting workshop this week, light was the star.

We’d moved to a theater in downtown for our training, which is the venue we’ll using from now on. The blackbox we used yesterday is definitely much more equipped and spacious than the studio in Mohandiseen. I’d been moved to a new group, mostly all younger and the girls are more giggly, but they’re just as fun as the first ones I’d trained with. Fun to be with, and even more fun to watch (Yup, some scorn seeped into that last sentence there. I’m not good, I know!).

After the usual meditative and slow movement exercises, we started some light games. Trainer operated the light board, and along with the haunting music, he started switching on and off spots, increasing and decreasing the light intensity, asking us to pay attention to the light, interact with it, move around it, bask in it, watch the rays fall on our bodies and glare into our eyes, stop and talk to it in short sentences without over-acting or saying something that we didn’t actually feel at the time.

It was like a surreal dance as people moved slowly, ventured into the light, covered their eyes from it, explored the darkness around it, watched it, shouted at it, whispered to it, and on and so forth. Slow motion was key there, also keeping the concentration gained from meditation exercises was important. Moving around the room, you were supposed  -through light and darkness and how your body felt as you moved- to explore the space you’re in. Feel it through moving in it.

You’re required to be in your head, in your body, aware, vigilant, yet honest and in touch with your feelings while keeping the calm and the transcendence that has been previously infused in you in previous exercises. At times I was struggling; I didn’t realize (until I started to attend these classes) how “scattered” I am.

It was like trying hard to contain your soul and mind, consciousness, within your body, as they keep slipping away. Anyone out there know how this feels? How difficult it is to be one?

It’s like when we stand in prayer sometimes and fight to enter our inner space while being aware of what we’re saying and doing, with eyes wide open. If anything, this validated my idea that living in the city corrupts. We can’t be still inside anymore, and it’s a constant struggle to be whole … complete, body, mind and soul.

You pull yourself together. You fall apart. You relax. Only to get tense in moments because of the smallest distraction. You enter that empty space in your mind. Then something pulls you out, a thought, a memory or a speech that goes on in your head between you and “the other” (the Voice?).

In brief moments, the light intoxicated me, and there’s something weird that happens when you finally look into the source of light in a dark room; it’s like looking into the face of God … you suddenly feel the desire to confess something, as if this artificial light at its most intense can see through you. As if the light already knows what’s being whispered inside your soul.

Poetic and melodramatic? Of course. My mind knocked itself out. It’s a drama class. And there was no better time to indulge in pseudo-philosophical thought.

The next exercise was based on improvisation again, and assuming characters. And it turned out to be much harder than I thought it would. Four chairs, one white and three black ones, were placed centre stage, light flooding them amid a patch of darkness. The white chair is occupied by one of us, a guy or girl, and the rest by members of the opposite sex. I was chosen twice for this one. In one scene, the guy occupying the chair was to play a boy who dated the three girls occupying the other chairs at certain junctures in his life. The situation preceding the meeting was not spelled out, but they were somehow trapped now into sitting together.

They all loved the boy while dating, he was selfish and nonchalant to their feelings, scornful of romance, in short a typical player. They were wounded and hurt, and now for some game of fate the girls are all friends. You’re not supposed to attack him, or touch directly on the issue, but instead use body-language and implicit references to get back at him.

It went horribly! (in my very humble opinion) The conversations were superficial, gestures exaggerated. You know how bad acting goes? Add to that uncreative, self-conscious improvisation and lack of experience, and you get the picture.

The opposite happened, and I was chosen for the white chair, the self-centered girl who played with the others’ feelings and now feels no remorse but almost amusement and a touch of embarrassment for running into people she used and abused emotionally.

Damn it!

What do you dig out in order to conjure up such feelings?

In my head, I couldn’t evoke one situation where the setting made sense. It made me wonder about the mental and dramaturgical powers that some might gain from being betrayed, heartbroken, from playing with people’s feelings and from manipulating, hurting and being hurt. Don’t get me wrong, I have no envy for those whose hearts were wrenched and minds blown apart in relationships. But suddenly, I appreciated certain human experiences, and how useful they could be in such professions.

Since we all went wrong, we were lectured for half an hour on why we did. Mostly, we couldn’t appreciate silence in such situations, and we couldn’t use the body and the eyes to communicate messages. And we should have.

The trainer said some words at the end, that sounded magical to my ears (simply because I agreed wholeheartedly): “People in the city have forgotten how to become silent. We’re flooded by so much noise that we always need the feel to speak out, to hear our voices. The intensity that comes with silence is sometimes much more powerful that the one that comes with speech and blabbering. Silence is a statement too.”

Listening to: ElTanbura (as recommended by Ashraf Khalil. Find them on YouTube)
Mood: that calm that comes with finally letting go

Books That Inspire, Buffers, Les élus

The memory of the intellect & the eyes

“Voluntary memory, the memory of the intellect and the eyes, [gives] us only imprecise facsimiles of the past which no more resemble it than pictures by bad painters resemble the spring … So we don’t believe that life is beautiful because we don’t recall it, but if we get a whiff of a long-forgotten smell we are suddenly intoxicated, and similarly we think we no longer love the dead, because we don’t remember them, but if by chance we come across an old glove we burst into tears.”

— Marcel Proust

Listening to … nothing, cos I’m in a hurry and I have to head out
Mood: refreshed thanks to a cold shower

Les élus, On the Road

Clockwork

On the Zaafrana road, the darkness over the Red Sea brings back memories that I thought were far away. Time is a mysterious thing.

And you become responsible forever for what you tame.

Listening to: Muhamed Munir and Aida el-Ayouby
Mood: Dreamy

p.s. A shooting star just fell into the sea.
p.s.s. I love being driven off away from my small world back in Cairo. Roads make me “travel inside my head” as someone told me lately.

Les élus, On the Road

Fresh Air, Quick Press

This Amy Mowafi girl! What a character! I read her booklet Fe-mail last night, and then dozed off, thinking “Must, must, must blog about it.” And I will do write a proper blog entry — since I’m posting this one from my cell phone, on the go, getting out of Cairo for fresh air- and it should be dedicated to her, and perhaps called “The trials and tribulations of being a changing girl.” Yup, I discovered that this is, right now, what defines me: I change.
Therefore I am.
Or not.
Well, maybe.
Exactly.
I don’t understand myself. I woke up this morning, ready for another blogpost, that I’d written in my head while sleeping, and another book. I had also intended to go to the refugee film festival. But one phone call from a friend (more like a pleasant surprise) changed that. The friend suggested we travel for the day, it was already after prayers -a bit too late for hitting the road and getting out of Cairo- but dangerously craving fresh air, I said “Yes” immediately, almost without thinking, at the risk of sounding desperate … plans for supporting human rights, blogging and reading like a good nerd were thrown out of the window, in less than a second. Spontaneity ruled; a fresh change considering how uptight I had become lately. I packed two, or three books (just to convince myself I’m still sophisticated), put on my blue desert scarf (unwashed since the Sinai trip and carrying someone else’s sweat, but who cares? Gives it a distinct personality) and tied my hair back, put on my new aviator shades and decided that as a tribute to Amy (a girl I never met, but almost clashed with on twitter because of @sandmonkey), I’ll write a short blog post from my phone, telling people how this time I’d chosen the sea over the desert, and chosen sad French love songs (that come with instant translation from the driver/friend) over sobby refugee survival stories. Shame on me? I don’t feel so. And I’ll elaborate on that where I’m back to the city that kills, conquers and makes you lonely. But before I fall back into my thoughts, disappear into the backdrop of the real world, and float away in my head, I’d like to tell the desert that it will always be my first love, the love unforgotten, even though I’m now trying to love the sea and reconnect with it again. My love for you is romantic, poetic, indescribable, your silence scares and awes me, it’s both enigmatic and inspirational, but my desire to enjoy the sea is pure biology, biophilia, to be precise. (will later link to my post about biophilia, and if you’re too curious, google it)

Listening to … Valerie Lynch (allegedly spanish, no one understands), air and cars rushing by
Mood: adventurous, grateful, thoughtful, contemplative, smiling softly (perhaps nostalgically) in my head
(Yup, I’m a girl so I’m allowed to mutli-feel)

Buffers, Les élus

Do I come from a star?

I was reading through some of the posts on Evolver.net and http://www.realitysandwich.com, and this post reminded me of an old dream: discovering that I really don’t belong to this world, for some reason or another. Or at least that I don’t belong to the mundane version of it, which I’m living through right now.

Looking over my fantasies, whether that I discover that I’m a witch and get that long-awaited letter from Hogwarts, or to be hand-picked for a special league of chosen people (a select few who have access to the truth or who know better) like Neo and his buddies in the Matrix, or the fellowship of the ring in Middle Earth, or Alain Moore’s League of Extraordinary Gentlemen or the Watchmen, it was always about not being part of this life and not subscribing to this version of reality. Or not doing what other people are doing.

Perhaps it’s about wanting to discover a special talent, or a reason for living (an answer to the ages-old classic “why are we here?”).

But mostly, it’s also about being re-assured that my inability to adapt is shared by others, that there’s a reason for it; that I’m not anti-social, or a self-hating human, but that in fact I’m one of those few who were born different and shall live and die different, and who know something that others don’t. And of course, it all goes down to the chronic feeling of loneliness, which is bound to kill me some of those days if I don’t kill it. And to the conviction I’m always misunderstood, even by those closest to me.

The websites I was checking were all about changing the world, that “we are those we’ve been waiting for”, about sustainability, open-source economy, taking the human species to the next level, evolving our consciousness and connecting with nature. One of them is a social networking website that connects people who are part of this unified consciousness project. I didn’t understand many of the terms juggled between members, and I secretly smiled at groups carrying names like awakening the Divine Feminine.

Some of the members on it reminded me of a theatre professor that my sister loves to death. I remembered him because of his unique personal philosophy and unconventional religious beliefs. That professor, probably an atheist, believes that he’s among this unique breed of human beings who have migrated to Earth from another planet long ago for some mysterious reason, who are scattered across the Earth and who carry some sort of outer-planetary wisdom, and an invisible mark that they only can recognize. He’s not kidding. This breed is different, and they have the ability to know each other instantly, and the joy of meeting each other is incomparable, since their minds and their consciousness are enlightened, more evolved that regular Earthlings. He’s an artist, a dramatist, so this could all be symbolic, or not. If he believes he’s an alien, fine, as long as he doesn’t look down upon commons such as I (but he probably does anyway, and you know what? it doesn’t matter). The professor also believes that “his people” will come, from beneath the stars, to take him back one day, and then he’ll be at peace (Death?). It’s very poetic, and a wild thought sometimes crosses my mind, “perhaps I’m one of those aliens too. Perhaps that’s why I’m lonely. I haven’t found the others, my brethren, my people. Perhaps they will come back for me too.”

It’s a very condescending way of looking at the rest of the human race.

But tell me, have you never felt it too?

This feeling of exaltedness that comes with being lonely and being unable to fit in (on a global level), with being restless, with wanting to travel all the time in your head or physically through leaving the familiar places behind and treading where most people haven’t gone; this feeling of transcendence that comes with losing attachments, with thinking spiritually and philosophically about everything including your closest relationships, even your religion; with retreating and (as a friend recently put it), being an “observer of humanity” from a distance and only “occasionally socializing with humans.”

Do I come from a star?

I wish. It would explain a lot. It would re-assure me that there must be something out there to return to, to long for. Perhaps that’s why I love looking at the sky, perhaps when I do my mind wanders and my heart feels trapped not in wonder and not because I’m in awe by what the universe hides. Perhaps I’m simply home sick.

If you can relate, perhaps you come from a star too. Perhaps you’re one of us.

Listening to Gregorian’s take on My Immortal
Mood: indescribable

Buffers, Les élus

A new (good) blog is born

Glad to announce that Don Young quoted in my blog post Young Reflections has been convinced by someone (couldn’t resist bragging really) to create a blog and share his thoughts with the world. I personally became his first follower, and I love his words. Take a look:  http://sleeplessdisorder.wordpress.com/ It’s a new born but it’s worth watching!

Let me take this chance and recommend a few more blogs that I check every morning:

That’s all for now.

Over and out!

Listening to: still stuck on Abbady Al Johar. Follow me on twitter @pakinamamer for updates
Mood: lazy, thankful, calm  (Life is good in this late hour for some reason)

Books That Inspire, Les élus

Decoding suffering

If you suffer, and you will (because who doesn’t?), then do it successfully, according to both Marcel Proust and Alain de Botton. It’s not the easiest thing in the world. Drenched in sorrows, it’s easier of course to stay in bed, jump off a bridge than write a philosophy book. If you plan on ending your suffering once and for all (through say, setting yourself on fire, or drowning yourself in the bath tub), then fine, don’t try and get creative with how to ache. But if you’re not, you might as well use suffering to your benefit, either by creating a blog to tell about your experience, writing songs that breaks people’s hearts as yours have once been broken, becoming a motivational speaker, researching your pain and what it means, being inquisitive about life and the ‘big questions,’ whatever, the choices are endless. Proust chose to write books.

Proust was often sick, was unlucky in love and romantically pessimistic, un-comprehended by friends, over-protected by his mother, ignored by his father, had a failed career in theatre, but all this, if anything, has made him sensitive to the pains of others, and most importantly creative. He wrote: “A little insomnia is not without its value in making us appreciate sleep, in throwing a ray of light upon that darkness. An unfailing memory is not a very powerful incentive to study the phenomenon of memory.” According to de Botton, “Proust’s suggestion is that we become properly inquisitive only when distressed. We suffer therefore we think, and we do so because thinking helps us to place pain in context. It helps us to understand its origins, plot its dimensions, and reconcile ourselves to its presence. It follows that ideas that have arisen without pain lack an important source of motivation.”

Proust says, “Happiness is good for the body, but it is grief which develops the strengths of the mind.” He adds: “A woman whom we need and who makes us suffer elicits from us a whole gamut of feelings far more profound and more vital than does a man of genius who interests us.”

I know what he means. During a bout of depression, I wrote a short screenplay that I still think could be developed and could perhaps stand a chance on screen in one of those days. When I’m grieving, my head is usually full of ideas that wouldn’t have otherwise crossed my mind. I can guarantee that most stories, poetry and songs that touched us hide wells of pain.

But what a price!

And this comes to mind when I remember tales of genius marred by conflict, manic-depression, drug use, unhealthy obsessions, suicide, heart-break and chronic grief. Virginia Woolfe, Antoine de Saint-Exupery (without his explosive on-again-off-again relationship with Consuelo, world war, loneliness, perhaps the Little Prince would not have come out), Hemingway, Picasso, Mozart, Frida Kahlo and Diego Rivera, and if you will, Kurt Cobain and Eminem (sorry, but his songs get to me).

This leads me to a question that I have asked many times before: do we have to suffer in order to rise? Is it the old story of dying on the cross in order to transcend our ego and flesh, and become gods?

But that’s not what de Botton means of course. I’ve strayed a bit here. I believe his argument is, if you’re suffering anyway, you might as well learn, grow and create as you do. He says, “The moral? To recognize that our best chance of contentment lies in taking up the wisdom offered to us in coded form through coughs, allergies, social gaffes, and emotional betrayals.”

In addition, now in the words of Proust himself, “Griefs, at the moment when they change into ideas, lose some of their power to injure our heart.”

Listening to Abbady Al Johar here (not for the broken-hearted or the distraught, lyrics beautiful tho) there, there, and there. This too (lyrics here) and finally this very heartfelt song (and words).
Mood: sombre

Recommended:
Alain de Botton’s On Love/Essays In Love
Alain de Botton’s How Proust Can Change Your Life

Buffers, Les élus, Travel Writing

Loving all that lives …

… in nature. And it even has a scientific name: the “biophilia hypothesis” which says that there is an “an instinctive bond between human beings and other living systems,” between man and nature. According to wikipedia, it’s Edward O. Wilson who introduced and popularized the hypothesis in his book entitled Biophilia – meaning “love of life” or “love of living system” and it’s Erich Fromm who first used it to describe the psychological orientation towards all that is alive and vital.

And the ‘philia’ is not only towards nature, as in forests, the desert, or parks or but also towards the weather, wind and rain, and animals (I’m thinking that means all animals so I imagine the philia cannot to be properly adopted by people who like “dogs but not cats” or “cats. I hate dogs”, or “red squirrels not grey because grey eats whatever and disturbs this or that food cycle” to the end of those silly arguments).

I was thinking that’s a good explanation for why some of us long to the desert, or develop this urgency or need to climb a mountain and stand on top, or feel called to go to a forest and hide beneath its thick, winding trees or get momentarily lost in snow. And no wonder why people who respond to those calls from the stars, the desert or the raw Earth feel different, energized, empowered and special – as if they were chosen to go there, as a fellow traveller has eloquently put it during a recent hiking trip in Sinai. But it looks like everyone is called, through this invisible umbilical cord that ties us to Mother Earth, but few respond.

Tree hugger talk, I know. But the question that comes to mind is why many of us fail to recognize this tie with nature and the animal world, a tie that seems to be born with us. What blinds us? What distracts us, and then what calls us back? Why have we lost the ability to connect on that level? To stand in the Sahara and breathe in the silence, instead of being intimidated by it, instead of standing on a mountain and shouting “Is there any body out there?” Is it a coincidence that the Little Prince has found his salvation, the clarity to recognize his destiny, in the desert, all alone with the emptiness, a fox and snake to guide him, and the promise of a well -water- nearby? I’ve asked that question before in my post Man, the friend of Silence but so far I have not found an answer.

Is it only in nature that we can find ourselves, the Truth? Or is it when we’re alone in nature? Is connecting to the Earth and being alone, perhaps even lonely, conditions for appreciation of life, of others, for recognition of our fault, failures and shortcomings, and for recognition of what is important and what is really of consequence?

Why is it painful to be alone and away then sometimes?
Why does silence intimidate?
Why does the desert at night, the endless dunes of sand, or the tall-as-sky mountains scare and awe us?
Why does the sea inspire fear and mistrust, why does it hold a type of treacherous beauty and uncertainty?
Why does the Sahara, instead of opening our eyes to the beauty of our inner space, stir up memories of things that never will be?
Why does the rain make us sad, and the snow makes us lonely?
Is it city life that corrupted us as such?
Have we moved so far from the sea that we don’t recognize it any more?
That we don’t know how to love it?

Listening to Une Chanson Pour Tout Dire, Eli et Papillon
and Maybe Findland, Snow and Voices
Mood: Grateful, Calm, and longing for the desert during wintertime

Buffers, Les élus

Young Reflections

A friend of a friend called Don Young wrote the following words and I found them to be an immaculate rendition of thoughts that haunt most of us, they touched me …

Young says, “We come up with rules, regulations and social norms for everything. We create these imagined realities for ourselves and then we read and write volumes upon volumes on topics such as how to find love, the rules of dating, the guide to successful marriages and so on so that we can learn how to do these things within the guidelines we have set out within our own imagined world …

The thing is though that shouldn’t these things be easy? Does any of it really mean anything when you really think about it? I mean, isn’t it all just really kind of silly, or is it just me?

Is it just me, or is everything and everyone just way too over complicated?

It seems to me that we need to eat, sleep and love … That’s it, that’s all. The rest is just a bunch of imagined nonsense that we create in order to give ourselves some sort of purpose or importance or justify our own greed.

If you really stop and think about it, does any of it matter? Is anything other than sustaining life and finding happiness simply in that, really anything other than nonsense? Ridiculous notions that we dream up as ways to separate ourselves from one another and waste our lives hoarding and hating and hurting each other; and for what? So at the end of our short little lives we can say we have won some sort of imaginary competition? So we can be dead and somehow feel better that our group has gained more ground over another?”

Listening to Brick City Love Song, Riding Alone for Thousands of Miles
Mood: Thoughtful

Buffers, Les élus

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Buffers, Les élus

Enduring love, at least for now

It’s like discovering a new toy, this love business.

For most of the 29 years I’ve lived on this Earth, save a year in college and two in high school, I really was never sentimental, in the romantic sense. No one impressed me, dramatic displays of love made me feel like puking and I poked fun in every chance I got at the hopeless romantics who I encountered along the way. This began to change in London when, as it seems, I was thunder-struck with the idea that I don’t want to end up alone. That gained momentum when I was back in Cairo.

Now, I’m different.

At least in my head, I began making mental checklists of Mr. Right (I’d like to call him X, sounds much cooler), crossing out traits here and there, then putting some of them back on again, as I go. Only to end up wanting the universe to choose for me or surprise me. And I started developing this fantasy of running into my “dream guy” and not having to settle for an arranged marriage — Sorry, girls, tried to wrap my head around it, almost did, but my head is too big for that 🙂 at least so far.

Don’t get me wrong. I’m still loyal to some of my old beliefs.

I still find cheesiness hard to swallow, it gets lodged in my throat almost every time but now I’m obsessively curious about ‘L’amour’ and all it entails. Even heartbreak sounds intriguingly albeit melancholically beautiful in a way. And believe it or not, some love songs do make more sense now. I have much more patience for my friends’ romance-related anecdotes — and to my delight I have been told I’m now “more human” and “softer”. (And love is all what I want to blog about these days).

But I have to say the discoveries made are not only linked to stretches of emotion, actually they’re more linked to how we’re psychologically affected by the experience, like this blogpost suggests, and in turn physically, like this and this articles show. How are people affected by their upbringing, and how that plays out in their current relationships? The meeting of two, the merge of ideas and of pasts, the latter more significant than the former. What happens when we fall in love? Why do we prefer some people to others? What governs this process? Biology, culture, evolution? All of that? What makes one factor stronger than the other? What happens when we fall out of love? What happens when we move on? When we’re jealous? or cold? When we communicate successfully or surrender to conflict? Head and body. Male brain and female brain.

Boring?

Could be for some people. However, there’s always the joy of exploring the philosophical part, which is more poetic, heart-wrenching at times, and it touches us deeply, mainly because it tells us about ourselves in the most beautiful of words. It’s also as eyeopening as it is sad, because we learn about cycles of thought, inhibitions, patterns of behavior that define the human condition. And it makes you wonder what traps us, whether it’s all fated, or all inherent in the collective consciousness. Deep stuff, I tell ya. And, for those who are like the past-me, most of it is not even romantic.

Listening to the buzz from Algeria-Slovenia football match
+ Noise from the oscillating fan in the office
Mood: Playful, Inquisitive

Buffers, Les élus

Brooding Sentimentalities

This morning, I found a grape in my shoes.

It was a red grape. And I had a suspect in mind: my youngest cat. He likes to play with our food.

It made me smile, because it was one of those small things that reminds me I’m not alone. I remember when I lived on my own in London several months earlier, everything would remain untouched in my room until I got back. There’s bliss in that. But it also confirmed every night that I had no one to talk to, except my neighbors at halls, who just like myself were not always around.

But now, my mom moves stuff around to “tidy up the room” (despite my repeated objections) and my cats love to ruin them for sport. They kick books off the shelves, show special interest in some of my belongings by scratching them to death or hide grapes in my shoes (for safe-keeping, I’m sure there’s a good reason). And when confronted, they always look up at me with those big round eyes as I tower above them, their stares carrying a mix of surprise and disappointment at being so gravely misunderstood.

And all these are little reminders that I’m cared for, that I matter, even though those closest to me never fail to irritate me. But these irritations, and even criticism and mockery, again confirm that I’m not alone. During an interview for an acting workshop, the trainer asked me if I had any friends, I said, “not really.” A day later, I recounted details of the interview to guess who? yup, my friends, and I received a deluge of jeering and scoffing, and of course the question that reared its head was “Then who are we?”

Cornered, I responded: “You’re not my friends. You’re my best friends. Different!” And all jokes aside, part of me was very honest about this. Those friends who have known me for years and years, sometimes since childhood, are not “friends” per se, they’re more like family, and with that comes the eternal commitment to being with them, around them, even if we’ve lost common grounds and even if we’ve got nothing more to talk about. The years bind you together. Being comfortable in their company is granted, but like with family, you can easily slip into that cursed feeling of loneliness even when among them.

When I tried to explain this, one of them suggested, “sometimes I think you’re lonely because you take your problems too seriously. You think too much about them. Other people may have the same problems but then their approach is different, so they become less sad, less involved in their own worries.” She may be right.

An article by Robert Rowland Smith on being lonely said that this feeling is actually healthy because it means there’s a need for people, it means we appreciate people and that “shares a root with compassion.” Sure, it’s all beautiful.

But then what? That’s not a cure for the chronic loneliness, that might or might not go away when you’re with friends, a romantic partner, a sibling, sitting, sleeping, partying, travelling. And I’m not the only one who’s complained. People, successful, with jobs and wives or husbands, always busy, have also complained of the same problem; it almost seems like a new universal malaise (at least for those like myself, who’re living in big noisy cities, struggling for privacy and space, but also for people to *see* them). Everyone is not happy, and everyone feels alone even among people.

Do we – the lonely- hold any solutions to this? Do we even want solutions? Or is it the new “artistically romantic” thing to be lonely? The lonely successful man or woman? A notion like the “misunderstood artist”, or the “sad clown”? Are we deliberately holding on to solitude and the emptiness that accompanies it to satisfy a certain image that has been associated with being sophisticated or independent in this modern age? Is it some kind of an escape? Or perhaps a motivator for escape? May be an adaptation problem? A good excuse for withdrawing and refusing to bond with others?

At this point, I should suggest an answer or say something wise but nothing comes to mind. So I’ll stop writing

Listening to: the news on (or more likely the buzz coming from the) TV
… and this is not a song. We got a new TV in our office
Mood: wavering between bored and brooding

Books That Inspire, Les élus

Of finger-placing & the consolation of words

“I never expressed a desire to break up with her except when I was unable to do without her,” Marcel Proust, In Search of Lost Time.

I came across this quote in Alain de Botton‘s book How Proust Can Change You Life which I’d just begun reading. In the second chapter, titled How to Read for Yourself, the author talks about how literature can make us feel at home everywhere, and cure us from loneliness if we find shades of ourselves and those we know in the characters we read about. His argument is, it expresses our deepest desires and our feelings far better than we would have, and it makes our antics and suppressed thoughts and unmentioned emotions more human. It teaches us we’re not alone in feeling or thinking this or that.

I related, finishing On Love only a couple of days earlier, I knew exactly what both Proust and de Botton meant.

Immediately, it brought to my memory a scene from the British play turned film The History Boys, when one of the professors explains to his student the value in reading about a similar experience:

The best moments in reading are when you come across something – a thought, a feeling, a way of looking at things – that you’d thought special, particular to you. And here it is, set down by someone else, a person you’ve never met, maybe even someone long dead. And it’s as if a hand has come out, and taken yours.

Going back to the friends who’re here to stay, which are my books, I’ve felt exactly that at times, that a hand was taking mine and squeezing it tightly, telling me I’m after all normal.

Listening to A Mansion Has Many Rooms, by Grail
and Bright, Bright, Bright by Dark, Dark, Dark
Mood: Pensive

Into the Trenches, Les élus

Ask me questions …

… I find it a good exercise, and I think it could help me recognize areas of thought I haven’t explored before. Plunging into uncharted territory and all that. If the question is too challenging though, there’s a good chance I may ignore it (my small brain can work out only so much). And if it’s too personal or rude, I may show claws.

But don’t let that hold you back, really, I mean ask me anything here.

*wide grin* —>> meant to give you a false sense of safety.

Warning: It’s sort of an experiment, so if it gets tiring, I may decide to disappear

Listening to: Where is my mind, Maxence Cyrin
Mood: Happy-Go-Lucky (surprisingly so)

Into the Trenches, Les élus

I wrote this for him

I was sitting at this concert at Darb 1718 watching ‘El Dor El Awal’ whisk people away with their tunes to a far away world, when I remembered him.

His name was Khaled Mohamed Sai’d and he was beaten to death by two police officers. The reasons why are not important and, at least to me, irrelevant.

I had read the news this morning, and saw the pictures, they have shaken and disturbed me. But here I was on the same night, lying on the grass, listening to good music, laughing with my friends, playing with my hair and clapping and cheering for the band, as if no great injustice has befallen an innocent man. And it’s natural, I never knew him. And I won’t pretend that the news had affected me or stayed on my mind beyond a mere two or three hours after reading about it. Next week, I’ll probably forget him completely and the week after perhaps the name won’t even ring a bell — and mind you I’m a journalist so it’s not like my work doesn’t involve following up on these cases. However, there’s a big chance everything will be forgotten anyway and so it follows that his story might not be “sexy” enough (in journo lingo) to follow up on in a week or two.

But for a moment, I thought: What if I really cared? What if we all did?

What if the band, instead of playing, had come to the microphone to announce that Khaled had died brutally and so they will withhold their music until justice has been brought to his family, and to us?

What if we had decided to strike, not to go to work, not to buy or sell, or visit friends or watch TV or go to the movies until an investigation is held into his murder?

What if tomorrow no one showed up for Friday prayers and sheikhs gave angry sermons against our rulers to empty mosques in protest of this inhumane killing?

What if we all decided to wear black in mourning?

What if we brought everything to a standstill until we’re told why a young man’s bones were broken, face battered until every last breath left him and why on Earth is his assaulter running free?

But of course we wouldn’t do that. I wouldn’t. Who does that anyway? And if we did that for every injustice that has befallen man, maybe life would have stopped … or maybe it would have been perfect. But we won’t know really.

And perhaps if I didn’t work in news, I’d forget about him tomorrow.

Heartbreaking, isn’t it?

Buffers

Passion for my blender

Amid the smothering busyness, glaring screens, the monotony of noise, the persistence of chaos … despite cold shoulders, blatant profanity, heartbreak, even with financial worries, and the woe that accompanies obsessive thinking, flawed perceptions, misunderstandings, and feeling lost …

… always, always, always ….

… make time for freshly-squeezed juice.

Buffers, Les élus

High Heals

This was my first acting workshop. During the interview, I bluntly explained to the trainer that I have no acting experience, no interest in the art beyond observation and that I do not intend to become an actor. When he asked me, why I was there, I simply answered, “as a confidence exercise” and that was that.

I was on time for the first class, so were a few other participants. As we waited for others to arrive, a conversation with another participant, a psychologist called Maram began. She was there for “boosting confidence” as well, besides vocal training and blocking exercises, and I was re-assured I wasn’t the only one seeking this fleeting, almost abstract notion.

Maram said she specialized in psychosis but she’s also a relationship therapist; I’m not sure if that has a clientèle here in Egypt. I’d imagine that couples having relationship problems would opt for consulting friends, family members, websites and people like Marwa Rakha, experts only by trial-and-error and not by scholarship. But her clinic seems to be thriving, at least according to her.

She started telling me about how this was not her first stab at acting, that she began “drama” exercises first with a psychoanalyst called Dr. Sherif Fadel, who uses psychodrama as a way of therapy. She explained that a psychologist named Jacob Moreno had invented this method, using theatre for mental and psychological healing. I’d never heard of the method before, as she told me and the few others who were listening how people can overcome painful experiences through re-playing them on stage. “It helps you look at a situation differently. Some people have a breakthrough in the way they think as a result.” The situations and role playing are often based on true events, but they don’t have to be necessarily factual, there’s space for improvisation and interpretation. To be honest, I thought the idea was brilliant and I made a mental note to try and interview Fadel for a story. Another psychotherapist walked in, but this girl was younger, perhaps 24 or 25. I began to think about the people that this art attracts. I couldn’t make generalizations on the spot, and I’m glad I haven’t. In addition to the young psychologists, there was a model present (she chatted a bit about modelling in Egypt and how she eats all she wants but still manages to stay thin). As more people walked in and introduced themselves, it was clear that the group of ten, despite being all young, were more diverse  that I had initially thought.

The hall where we began the workshop was dark, as classic music wavering from thundering to soft and meditative, played in the background. The first section of the workshop was like a Yoga class. Actually, I felt more like I was in a Buddhist retreat, as everyone stood there in the darkness, in a circle, focusing on balancing their energies through breathing, humming and NOT thinking. Eyes closed, I could feel something flowing through me. In a long time, I hadn’t felt my body as such. It was a silent meditation on the inner space, a journey within, as you tried to feel your body, limb by limb, bit by bit, fingers, shoulders, hands, backbone, feet, legs, toes.

It felt like my body was asleep for so long, and that then it was awaken. I enterprised and imagined the energy as light moving through me, healing as it flows, shinning through my skin and that suddenly I was overflowing as others were with this light. My feet held me strongly, I felt my weight, but I also felt light (and light-headed). As if my head was up there in the sky (longing for it), and my feet were deeply rooted in the Earth. And I became unaware of space or time anymore, only of being. It was strange. And all my worries seemed to be in a past that I was disconnected from,  a past that might have well happened a hundred years before I was born. I was not there. I was here. Christian, Muslim Sufi and Buddhist-like chants reverberated across the room, and vibrated through my body as I took part in them. The sounds were coming from deep within me, and through me and around me. I wondered if you have to be a believer to feel this effect. And I questioned why I hadn’t meditated for long. When it was time to be “awakened,” I decided I’m absorbing this light back into my body, into this small bundle that I’m keeping within me, as a source of protection. I remembered a recent trip to Sinai, where at many points butterflies were fluttering around me (well, and probably others, but I chose to ignore that) and decided to believe the myth that butterflies come to healers, and so it follows that I was one.

Second exercise was about movement: how to awaken the body from this trance and control it. “If you can’t move slowly, if you can’t walk slowly, if you’re unable to slow down at will, then you’re not in control,” bellowed the trainer. I tried to keep the motion slow, but my knees started becoming wobbly and my body was not responding as I’d wanted to. It was indeed about control and at this point I realized that it was my head and body that were leading me, not I them. And it does look like I’ll need some training before I can be in control.

Next were eye contact exercises. Keeping eye contact. Locking eyes with the person for the purpose of knowing them, without body-language, without frowning or laughing, or moving a lot. Being comfortable with looking in the eye, in addition to watching the face, communicating without talking, which was also the next exercise; “send the person a message with your eyes. Speak. tell a story. Repeat the message.” I played with that for a bit. But for me, it was as much about communication as it was about observation. I barely remembered people’s names but watching them, I felt a little bit connected to them, and above all I appreciated them.

At that moment, I remembered my trip back from London, three weeks back, when I decided to switch between on-flight movies, watching the actors faces instead of the stories. I tweeted about it a day after I got back. And this is what I said back then:

“I relaxed, watched bits and pieces of different movies, watching the movement of actors, their faces, without really concentrating on story, thinking there’s something graceful about humans when they speak, cry, scream, smile. It’s beautiful to feel you can pay attention to this, and really take everything in, absorb people’s movement, watch it as if in itself it’s art. A touch of hand, a twitch in the face, and suddenly I felt I can relate to people.”

(The rest of my thoughts are here)

I felt something similar during the exercise. Suddenly, every single person that I gazed upon looked much more beautiful than when I’d seen them less than an hour earlier. Some’s personalities – or at least vibes- seeped through their eyes. Some looked away, couldn’t keep the eye contact, some were more daring. Some looked intimidated, some intimidating, some pained and some reluctant and hesitant. But it was all beautiful. It was like looking at a deep well, a store of secrets and non-secrets … or perhaps a painting, trying to understand what the painter is trying to say but also projecting your own understandings, insecurities, fears, likes, dislikes and questions.

Next was role playing, “proper acting”, all improvised. You had to go in minutes from pretending you’re doing final touches to your ‘best friend’s’  hair on her wedding day, to relaying bad news to a colleague, to trying  to act all girlish and soft while making up with your ‘boyfriend’ (always difficult when you barely know the guy :D) to consoling your daughter who just broke up with her fiancé and is crying her eyes off (I have to say the girl doing the daughter opposite me was very good) — all the while while trying not to give your back to the camera. It all went from difficult, to boring to hilarious, especially as people either laughed or took themselves too seriously. At points, my voice was obviously (and embarrassingly so) shaking. And at a certain point, I had to stop and tell the guy who was doing one of those two-minutes scenes with me to head this way so we won’t give our backs to the camera. And he did so, without getting out of character. By the way, I also failed to mention I was the least experienced, but this might be clear by now, and in some instances, I was ostensibly (and unashamedly) scared.

The class went on from one exercise to another, ending with the most difficult of all: recounting a painful experience, “something so painful that the memory could make you cry” in front of the group as they were instructed to cut you off, make fun of you, ridicule you and try to drown your words. “It’s all about concentration. No matter what your colleagues do, you have to tell your story, with the same intensity, till the very end,” explained the trainer. I decided to talk about body issues, the most personal of issues for me, and about how I struggled with my body image -and still do. It was liberating to shut off the noise. The participants apologized to each other after this exercise.

“Were we too hard on you?” asked one of them laughingly. Well, I didn’t even hear anything they said. “Would you believe me if I said I heard nothing of what you said?” Another one agreed saying that he too had to stop listening to concentrate.

The biggest struggle for me was not to shut off the sound, that bit was easy, but to go on telling my story as the noise continued. Because even if you don’t hear what people are saying sometimes, even if you shut them out, it’s still a struggle not to be forced into silence.

Sticks and stones can break my bones, but words can never hurt me, so the saying goes. The last was an exercise on precisely this.

To be honest, I can’t wait till next week.

Buffers, Les élus

In 140 characters or less

This train of thoughts formed a series of tweets, that I felt I’d like to preserve here, for how special the feelings this quiet and small experience evoked in me:

So I tried to tweet from the plane yesterday, but for some reason the tweets weren’t sent in SMSes through mobile
But our plane stood in the airport for an hour, while we’re on board, as it was being fixed. And they kept turning the engine on and off…
It was scary cos I thought there must be a reason why my flight was cancelled, [why] I rebooked in BMI, [that the] strike [was] called off, [for me to] return to BA [in the end] …
And my conclusion was, this plane is gonna crash (probably during take-off) and that I was meant to be on it, that was my death …
Quite dramatic, I know, but in some instances your mind sells you all kind of ideas, and depending on your belief system, you buy or not…
But nothing bad happened, and since there were only 18 people on the whole plane (after flight was reinstated), it was v. comfortable…
And I have to say I prefer night flights to morning ones. There’s something serene about flying high, and being embraced in darkness …
I enjoyed being alone for a first in a long time, away from all, stranded between earth & sky. I didn’t even feel like thinking …
I relaxed, watched bits and pieces of different movies, watching the movement of actors, their faces, without really concentrating on story …
Thinking there’s something graceful about humans when they speak, cry, scream, smile…
It’s beautiful to feel you can pay attention to this …
… and really take everything in, absorb people’s movement, watch it as if in itself it’s art.
A touch of hand, a twitch in the face …
and suddenly I felt I can relate to people. I’m not repulsed by others, I enjoyed their presence while enjoying being alone, simultaneously
At a certain point I switched off the main screen, and enjoyed the silence. I could see stars & the moon from my window cos plane was dark …
And I remember thinking that I haven’t seen the moon and stars above the clouds before. They must have been hidden to those on Earth …
and this realization (that they’re there even if we don’t see them) was comforting. I felt like a child again …
… My mind was clear for a while, which felt surreal and I wanted the flight to last longer and longer. I didn’t want to go back to Earth. I felt I belonged there …
The only other place that I felt might be a sanctuary (as I read Robert Twigger’s Lost Oasis) was the desert … and suddenly I didn’t feel like I missed London or wanted to escape back to it, but I looked forward to being lost in new places …
… to explore, to be with myself, to sit alone, to learn to look at the sky or at people and see, and I mean really see
Inspired by Rob, I made the decision to turn this into an adventure (or a dream to keep me going) & plan for a big break from my small world.
… Perhaps I’m meant to find this lost oasis, which many have failed to. I’m sure they all thought they’re the “chosen ones” …
… but I’m also sure, that despite not finding it, they found something else, perhaps just as enigmatic, & mysterious & precious.

Buffers, Les élus

On loneliness and writing

It turns out I have been feeling this “loneliness” for far longer than I thought I did. I found some writings from a few years back, I don’t even remember writing them or the occasion, and I cringe a bit at the amount of melodrama seeping from every word. Here’s an abstract:

“Perception is a curse. Seeing through, having a breakthrough changed my life, changed me more than I can say. Words fail when I attempt to describe how alone I am, in this wretched world where my enemies are not black anymore, neither are my people all white and good. There are not many people where I am to testify to my loneliness or sing the praises of the no-knowledge land. But believe me –believe the sound of reason etching in my voice, ripping at my heart- it’s a deserted place where I am, where happiness is a thing of the past, and where peace never comes without a price.”

“Home becomes a relative thing, anyway. So perhaps it does not matter. Or does it matter? Because home becomes something abstract, something that could only be attained in struggle. Something that people dream of when they sleep; like freedom, love, right … all those beautiful, beautiful words. I guess I will be a traveler for long; me and them who see.”

I think these words were written in 2006 or 2007. However, I relate to my younger self on the subject of “home” and not finding it. And let this be a short note back to her, to the 25-year-old me: “You won’t find this ‘home’ for a long time, and yes you will be a traveller and you will cross paths with ‘those who see.’ And it’s not always good. But it’s never bad.”

Like Stephen Fry once did, I should do too: write a long letter to my younger self. Perhaps not at 25. But to the one stuck at crossroads at 19, to warn and comfort her.

Les élus

They dance on my paper …

One of my drawings, this one didn't dance though. She flew!

I’m holding a shiny sword
I’m talking to three people
One of them I haven’t met since college
And two others who change faces
All of which I thought I forgot
I’m drawing figures but they’re already there
On paper
Already there
Dancing on paper
Dancing for me
Challenging me to pin them down and draw them again
I see them, I see them
And that’s why I think I can draw them with perfection

My mind tells me to write
Write what’s already there
On the paper with the drawings, dancing for me
And I see them, I see the words
And they’re already written
And that’s what my mind tells me
It tells me not to invent
But to copy the form
And to follow the form
And to forget that there is pen, that there’s paper
Only what’s already there for me to pencil and write

It’s a trick, my mind taught me a trick
And it was during sleep
Oh, it was in a dream

Now I remember the figures with hoods
And the robes
And the staffs
Dancing for me
Daring me to put my pen down
And find them
Daring me to change them
Daring me to think for my own
And I put my pen down to follow the lines
And they dance
And they dance
But I follow the lines

The voice in my head tells me to ignore it
Ignore the inventor
And become a god of lines
A god who follows the lines
As they twitch
As they switch
As they run from each other
As they rage
As they change
As they dance
Yes, they dance
On my paper

(I wrote it in 2009, after several attempts at trying to draw several comic book characters, as I saw them in my head, and failing. One night after giving up on the pen, I dreamt that someone was telling me -perhaps it was my Voice- to just follow the lines that are already there, to follow the form, to imagine that my characters were already there on paper and that I was just tracing them like kids do to learn drawing. I decided to try this the next morning. It didn’t work, but it produced this silly poem, which I like.)